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Wake Forest
University Press

Wake Forest University Press

Dedicated to Irish Poetry

Lit. Crit.

Medbh McGuckian speaks about The High Caul Cap: “the cap is an end and a beginning”

Medbh McGuckian speaks about The High Caul Cap: “the cap is an end and a beginning”

In today’s Irish Echo, Peter McDermott interviews Medbh McGuckian on identity, inspiration, Seamus Heaney, and why she reads books upside down. McDermott’s article offers a glimpse into the poet’s thoughts behind her most recent book, The High Caul Cap, which WFUP published this past autumn. Here’s a link to the interview: McGuckian speaks candidly, revealing that the crux of the volume…

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Innocence Lost: “Boy-Soldier” by Michael Longley

Innocence Lost: “Boy-Soldier” by Michael Longley

“Child Soldier in the Ivory Coast, Africa” by Gilbert Ground Michael Longley’s recent poem, “Boy-Soldier”, was inspired by Irish author Tom McAlindon’s account of the death of WWI teenage soldier, Bobbie Kernaghan of Belfast. The images of young soldiers killed in war, of their tender necks pierced and their armor clattering to the ground link this…

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Dream Language

Dream Language

”                          …you swim from core state to fugue state in undirected milky water to a black-filled circle, which is your fully fledged city dwindled into a village” —          from “Broken Pot Used as Writing Material” Here at WFU Press we’re busy with the final…

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Today’s Lit. Crit.

Milk Could he have known that any stranger’s baby crying out loud in a street can start the flow? A stain that spreads on fustian or denim. This is kindness which in all our human time has refused to learn propriety, which still knows nothing but the depth of kinship, the depth of thirst. -Moya…

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“Legend of the Walled-up Wife” featured in “The Antioch Review”

“Legend of the Walled-up Wife” featured in “The Antioch Review”

The spring 2013 issue of The Antioch Review takes a thoughtful look at our recent volume, Legend of the Walled-up Wife, Eiléan Ní Chuilleanáin’s translations of Ileana Mălăncioiu’s poetry.  Written under the Ceaușescu regime, the book has dark, chilling imagery throughout and critic Benjamin S. Grossberg writes: “Mălăncioiu often blurs the line between life and death, creating the sense of…

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