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Wake Forest
University Press

Wake Forest University Press

Dedicated to Irish Poetry

Wake: Up to Poetry

"The act of poetry is a rebel act."

Snow, Joyce and Voicemails: A Closer Look at Conor O’Callaghan’s “Three Six Five Zero”

Today’s snow-blanketed Wake Forest University campus.

How does Conor O’Callaghan seamlessly connect a snowy North Carolinian landscape, James Joyce and voicemails?

Ripe with isolation, introspection, recovery and renewal, O’Callaghan’s latest collection, The Sun King, whispers secrets and sings the emergence of light born of the soul’s darkest moments. Technology flashes in and out of The Sun King, yet O’Callaghan’s words never suffer from it. In fact, his 21st century wit, cynicism and sensibility, (delicately balanced by raw emotion and tantalizing craft),  is only strengthened by his surrender to an ever-increasing technological landscape.

One of the most optimistic poems of the collection, “Three Six Five Zero” is a hopeful meditation on reconciliation and new beginnings. Read today in the aftermath of yesterday’s snowfall (uncharacteristic of north western North Carolina) O’Callaghan’s words resonate against the backdrop of our white-painted landscapes. He begins with:

I called up Tech and got the voicemail code.
It’s taken me this long to find my feet.
Since last we spoke that evening it has snowed.

  Fun fact: Many of the poems that comprise The Sun King are set in North Carolina–O’Callaghan lived in Winston-Salem from 2005-2007.

Perhaps in direct response to Simon Armitage’s acclaimed “Five Eleven Ninety Nine”, which recounts a bonfire at the end of the 20th century, O’Callaghan’s “Three Six Five Zero”, despite being palled in snow, is a combustible conclusion to the collection. It sings the birth of the 21st century and speaks directly to a generation fawned by technological intervention and globalization.

Oscillating between images of the snow and the voicemails, O’Callaghan situates the reader between landscape and technological reality, simultaneously looking inward and out:

I blew a night on lightening the system’s load,
woke to white enveloping the trees, the street
that’s blanked out by my leaving. It had snowed.

Reminiscent of Joyce’s final image in “The Dead”, we see a similar snow-covered meditation on past and future. Here, we see O’Callaghan’s speaker negotiate a send off to his previous journey and toast to what’s ahead:

Lately others’ pasts will turn me cold.
I heard out every message, pressed delete.
I’d happily forget my voice, the mail, its code.
We spoke at last that evening. Then it snowed.


The Sun King is a cathartic eruption of wit and grief, a collision of light and darkness that is easily O’Callaghan’s finest volume yet. Order your copy here.

“Exhilaratingly contemporary … O’Callaghan’s best book to date.”  John McAuliffe, The Irish Times

“The most sonically alive of poets … The Sun King beats radiant gold out of the dark shards, the refuse and refusals, of life.”  Maria Johnston, Tower Poetry

By Nicole

Categories: Arts and Culture, Conor O'CallaghanTags: , , , ,


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