‘We either touch or do not touch’
across the tides that circulate
from Cornish sound to silver north;
The President of Planet Earth is Wheatley’s fifth collection, and his talent for a wide range of poetic styles and voices is on full display. Here we have prose poems, concrete poems, sestinas and sonnets, alongside more experimental forms. Wheatley draws inspiration from Russian Futurist poet Velimir Khlebnikov, Samuel Beckett, and Ian Hamilton Finlay, among others. The result is a fascinating and subversively comedic trek across land and time. In this interview, Wheatley tells us more about his daring new collection and the voices therein.Continue Reading
Frank Ormsby’s The Darkness of Snow is new this month, so WFU Press interns gathered to ask the poet more about the collection. Written in five parts, the poems explore vast territory from Ormsby’s childhood in Fermanagh, to life with Parkinson’s, to the difficulty of bearing witness in the face of atrocity. Here, the poet discusses poetic…Continue Reading
My eyeball’s frozen. I lie
At the bottom of a well.
Leaves decorate the ice.
We are happy to announce that we’ll be publishing the next volume of The Wake Forest Series of Irish Poetry in March. This series brings lesser-known Irish voices to an American audience. In this fourth volume, editor David Wheatley, himself an established poet and critic, has selected poetry by Trevor Joyce, Aidan Mathews, Peter McDonald, Ailbhe Darcy,…Continue Reading
An interview with Harry Clifton: Returning to Portobello “was like rebuilding an identity from the ground up”
Harry Clifton has lived in places throughout Europe, Africa, and Asia, but his newest volume, Portobello Sonnets, focuses back on the district in Dublin where he currently lives, having returned after sixteen years in continental Europe. In this interview, he talks about how his work has evolved over time and place, and what ultimately brought him home. WFU Press:…Continue Reading
Alan Gillis’s Scapegoat and Other Poems launched on October 1st. To celebrate, WFU Press interns Fahad Rahmat and Rachel Stewart asked Gillis about his influences, religion’s redemptive impulse, how he sees current society and pop culture, and plenty more. WFU Press: Throughout Scapegoat, the reader encounters words like “fugging” and “pizz-popping, jingle-jangle”—sounds which you’ve incorporated into the…Continue Reading